Discovering Ethnomathematics in Sundanese Gamelan: Explore Mathematics Aspect in Gamelan

Edi Supriyadi, Turmudi Turmudi, Jarnawi Afgani Dahlan, Dadang Juandi, Rani Sugiarni

Abstract


Ethnomathematics is important in recent decades, specifically in the production of gamelan instruments. Therefore, this research aimed to examine the intricate relationship between mathematics and cultural craftsmanship in Sundanese gamelan instruments made at Gong Factory in Bogor, West Java. Ethnographic methods were used to observe and describe the practices of gamelan craftsmen and the data collection process comprised carefully selected artists. These individuals actively acquire data by reviewing relevant material, observing, analyzing, and interviewing. Miles and Huberman's framework for data analysis included data reduction, presentation, inference, and verification. The procedures understood the delicate relationship between mathematics and culture in the investigated setting. The results showed that Gong Factory in Bogor preserved and promoted a unique musical heritage. Furthermore, the instruments were known for exceptional sound quality, serving as cultural relics and didactic tools, as well as teaching visitors about the manufacturing process. The factory preserved culture through the manufacture of gamelan instruments including gong, bonang, and saron. In this context, the craftsmanship used mathematical principles, specifically precise proportions and ratios. The instruments' visual and auditory qualities depended on geometry. The results significantly impacted mathematics education by enhancing cross-cultural connections, improving proportional reasoning and mathematical comprehension, and recognizing the wider relevance of principles. Culture, mathematics, and education were connected, showing that conserving Indonesian musical tradition benefited local and global populations.

Keywords


Ethnomathematics; Gamelan; Gong Factory; Mathematics.

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References


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DOI: https://doi.org/10.31764/jtam.v8i3.21768

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